We Reserve the Right to Define “Emerging”

A little while back, I got the results from a contest for emerging composers that I had entered. It did not have an age limit, and I had work that met the guidelines, so of course I had to take advantage of the opportunity. The rejection email I received was the worst I have ever received. Most of these rejection emails I get are impersonal form letters that begin with “Dear Composer,” but this one didn’t even include a greeting. “You are receiving this email because you entered the emerging composer’s competition”, it said, and then went on to say that the winner had recently been announced and the people receiving the email did not win. “We want to recognize your effort and interest in making an application to the competition” (note, we recognize your application, not your work), and “it was a privilege to choose a winner from the many extraordinary works submitted” (am I the only one that finds this wording strange?)

The first thing that puzzled me was that the winner had already been announced…and was not named in the email. Most competition results are sent with the email, or recipients are told where and when to be able to find the results. This email contained neither. My skeptic alarm went off immediately, and I went to work sleuthing on the internet to find out who won. I first went to the organization’s website. For such a big competition with a nice $$ tag connected to a commission, I expected this announcement to make the front page. It didn’t. Huh. I poked around on every page and every link on that website, even on pages I knew had no real chance of containing the information, such as the personnel page. I could not find anything about this competition. Since I designed and manage my own website, I know how easy it is to make a new page and where to put it, especially when such a large organization would have a webmaster devoted to managing the site. Huh.

The next strategy was a Google search. Bingo. I found the page, but the page was not linked to any other page of the organization’s website. There was no big announcement. Rather, the first paragraph explained that the competition was over and that scores were no longer being accepted. Embedded within the second paragraph was the winner’s name. If I was the winner, I’d be wondering why the organization wasn’t highlighting this exciting news. So I looked him up.

The organization had said they reserved the right to define emerging. I understood that, especially when age is not the limiting factor. It would be difficult to know in advance which competing composer’s background would best be defined as “emerging.” This was their definition: the winner was young (25), but seemingly a prodigy since his work has already been performed all over the world. He has earned ASCAP awards, collaborated with the New York City Ballet, and has even been featured on National Geographic. His bio goes on from there. I guess age ended up being the determining factor, after all, since his experience doesn’t sound like “emerging” to me. Huh.

No wonder they appreciated my “effort and interest in applying.” It seems that my effort (and that of others who entered) was necessary for this organization to jump through the hoops of setting up a competition in order to make it look like they fairly chose someone they already knew they wanted to work with. This is not unlike universities that create job descriptions that fit only the person they want to hire, or government proposals designed for only one contractor. This group got around that, and around age discrimination, by saying “we reserve the right to define the term ’emerging.'”

I knew all along that my $20 donation/entry fee would help fund the commission. They got about $2,000 out the almost-100 poor emerging composers who never had a chance. Today I returned to the webpage which contained the announcement. It was blocked to all but members of the organization.

2 thoughts on “We Reserve the Right to Define “Emerging””

  1. Wow, that’s disheartening. I want to say I hope that they will actually play/perform/listen to and evaluate each and every entry, but it doesn’t sound like that’s too realistic a ‘hope’. I’m sorry Heather. You and every entrant deserves a fair shake.

    1. Every contest is different. I know for sure that some groups definitely listen to my work if they want something streamed from Soundcloud because I can track it there. Other groups want a link to a file placed in Google Drive, which I can’t track. As a composer, I know that some things can be discerned just from looking at a score, so depending on what a group wants, a listen may not be needed. In the case I wrote about here, I sent in a solid application. Perhaps it was one of the ones that was one of the “extraordinary” works submitted, but in the end it doesn’t matter. The winner is not an emerging composer by any standard except age, and there’s no way I (or probably most emerging composers) could win against his credentials.

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